Current release: CHE PART 1
CHE PART 1 is an odd beast to review. I'm sure you know the story of the film by now - over four hours in total, mixed reception at Cannes despite Benicio Del Toro picking up the acting gong for his efforts as the titular revolutionary hero / commie troublemaker (delete depending on your political views).
Split down into two parts for cinema release, it is undoubtedly more palatable (at least I assume that, having only seen the first part) and more likely to draw the crowds than a bum-numbing four hours.
Unfortunately it also leaves you with the feeling that you're only seeing half a film. The consequence of this is that director Steven Soderberg, while presumably wanting to leave you hungry for more, ends up creating a finale that is rather an anticlimax.
Sure, the final battle scene's spectacular and delivers value for money - but then you're left hanging for what comes next.
On the more technical side of things, Del Toro certainly does deliver a terrific performance but for me just as much of a star is the gorgeous photography.
I'm not talking about the grainy, black and white hand held footage which covers Che's visit to the USA - undoubtedly conjuring up a documentary style as intended, the excessive shaky-cam just got on my nerves after a while - but rather the action on Cuba itself.
Whether it's the bright white houses or the dense green foliage, the colour just seems to burn right off the screen. Helped no end by the fact that in most cinemas that are suitably equipped the film is being digitally projected, it looks absolutely terrific.
At the moment I still think this is a terrific film and urge you to see it... but I reserve the right to alter my opinion when the second chapter is released next month and I can see the whole picture.
If nothing else, it'll still be interesting to contrast it with Richard Fleisher's CHE!
Split down into two parts for cinema release, it is undoubtedly more palatable (at least I assume that, having only seen the first part) and more likely to draw the crowds than a bum-numbing four hours.
Unfortunately it also leaves you with the feeling that you're only seeing half a film. The consequence of this is that director Steven Soderberg, while presumably wanting to leave you hungry for more, ends up creating a finale that is rather an anticlimax.
Sure, the final battle scene's spectacular and delivers value for money - but then you're left hanging for what comes next.
On the more technical side of things, Del Toro certainly does deliver a terrific performance but for me just as much of a star is the gorgeous photography.
I'm not talking about the grainy, black and white hand held footage which covers Che's visit to the USA - undoubtedly conjuring up a documentary style as intended, the excessive shaky-cam just got on my nerves after a while - but rather the action on Cuba itself.
Whether it's the bright white houses or the dense green foliage, the colour just seems to burn right off the screen. Helped no end by the fact that in most cinemas that are suitably equipped the film is being digitally projected, it looks absolutely terrific.
At the moment I still think this is a terrific film and urge you to see it... but I reserve the right to alter my opinion when the second chapter is released next month and I can see the whole picture.
If nothing else, it'll still be interesting to contrast it with Richard Fleisher's CHE!
Labels: Che

